Projected against the back of the National Museum of American History on Wednesday evening was an excerpt from Jim Ryan’s July Fourth speech at Monticello’s annual naturalization ceremony. It was part of the artist Jenny Holzer’s text-based light projection on democracy called “THE PEOPLE.”
The Paramount Theater hosted more than just a screening Saturday night. “Go On, Be Brave” was instead a celebration of endurance and tenacity.
Every Thursday evening in the belly of Brooks Hall sits a collection of poets, creatives and arts enthusiasts that make up Flux, the University’s student-led poetry and spoken word organization.
At the Albert and Shirley Small Special Collections Library, a curated collection of images, art and documents paints a picture of the legacy of the Harlem Renaissance. The library’s newest exhibition brings the life and ardor of the Harlem Renaissance to Grounds.
As University students, new and old, return to Charlottesville, the University Programs Council, U.Va. Arts and the Charlottesville community offer numerous opportunities to reconnect with and explore the local arts scene after a summer away.
Between various graphic design projects and a mural at Crozet Pizza, the recent University graduate is making her mark on Charlottesville.
Performed in the Helms Theatre as part of the Virginia Theatre Festival, the play follows the romance between Jack Ludwig, a World War II military doctor, and Louise Rabiner, an aspiring actress.
“Their World As Big As They Made It,” an exhibition at the Albert and Shirley Small Special Collections Library, opens to the public on Wednesday. It examines the works in the period of Black artistic and intellectual activity centered in a New York neighborhood. The Harlem Renaissance began in the early 1900s as racist violence and diminishing economic opportunity pushed Black Southerners to head north in a movement known as the Great Migration.
A.D. Carson has been in high demand this summer. Hip-hop’s 50th anniversary is Friday and media outlets ranging from Vanity Fair to NPR to Rolling Stone have asked Carson, the University of Virginia’s associate professor of hip-hop and the global South, to weigh in on the genre’s evolution and importance. He has academic and practical expertise as a scholar of the genre and as a rapper himself.
A new mural has gone up in the University of Virginia’s School of Architecture, thanks to the work of professor Sanda Iliescu and three architecture students. The mural stands out in the school’s Campbell Hall home, where neutral tones abound, and that’s the point.
When Frankie Mananzan landed a job at the esteemed Sotheby’s auction house after graduating from the University of Virginia in 2021, you might forgive her for feeling a little daunted. After all, the company is known for auctioning unique items and national treasures, with prices often reaching six or seven figures. But the nervousness abated when she ran into another Wahoo working there. And another. And another. And another.
The songs are already circulating. In April, a TikTok user released “Heart On My Sleeve,” a song that used generative artificial intelligence to create a track in the style of rappers Drake and The Weeknd. The song got 15 million views on TikTok and 600,000 streams on Spotify before it was removed from the platforms.
![The following words are projected onto the ground and on a wall surrounding stairs and two sets of doors at the National Mall: "Remain Committed to forming a more perfect union as long as we remain committed to the principles [of] democracy..."](/sites/default/files/2023-09/Democracy%20Celebration.jpeg)
